Golijov: La Pasión Según San Marcos
Osvaldo Golijov
label: Deutsche Grammophon format: CD UPC: 00028947774617 release date: 3/23/2010
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Tracks
| Disc 1 | ||
| La Pasión según San Marcos (Osvaldo Golijov): | ||
1. 1. Visión: Bautismo en la Cruz 01:04 | ||
2. 2. Danza del Pescador Pescado 00:52 | ||
3. 3. Primer Anuncio 03:55 | ||
4. 4. Segundo Anuncio 02:02 | ||
5. 5. Tercer Anuncio: En Fiesta No 00:57 | ||
6. 6. Dos Días 01:40 | ||
7. 7. Uncíon en Betania 01:11 | ||
8. 8. ¿Por qué? 04:00 | ||
9. 9. Oración Lucumí (Aria con Grillos) 02:27 | ||
10. 10. El Primer Día 01:30 | ||
11. 11./12. Judas y El Cordero Pascual 04:35 | ||
12. 13. Quisiera Yo Renegar (Aria de Judas) 02:49 | ||
13. 14. Eucaristía 03:52 | ||
14. 15. Demos Gracias al Señor 05:14 | ||
15. 16. Al Monte 01:06 | ||
16. 17. Cara a Cara 01:11 | ||
17. 18. En Getsemaní 02:04 | ||
18. 19. Agonía (Aria de Jesús) 08:21 | ||
19. 20. Arresto - 21. Danza Sábana Blanca 02:31 | ||
20. 22. Ante Caifás 01:45 | ||
| Disc 2 | ||
| La Pasión según San Marcos (Osvaldo Golijov): | ||
1. 23. Soy Yo (Confesión) 02:26 | ||
2. 24. Escarnio y Negación 01:38 | ||
3. 25. Desgarro de la Túnica 00:55 | ||
4. 26. Lúa descolorida (Aria de las lágrimas de Pedro) 05:44 | ||
5. 27. Amanecer: Ante Pilato 03:46 | ||
6. 28. Silencio 01:48 | ||
7. 29. Sentencia 01:46 | ||
8. 30./31. Comparsa Al Gólgotha - Danza de la Sábana Púrpura - Manto Sagrado 03:36 | ||
9. 32. Crucifixión 01:55 | ||
10. 33. Muerte 01:06 | ||
11. 34. Kaddish 06:41 | ||
| Disc 3 | ||
| La Pasión según San Marcos (Osvaldo Golijov): | ||
1. Opening Credits / Golijov: La Pasión según San Marcos 00:45 | ||
2. 1. Visión: Bautismo en la Cruz 01:04 | ||
3. 2. Danza del Pescador Pescado 00:46 | ||
4. 3. Primer Anuncio 03:34 | ||
5. 4. Segundo Anuncio 02:04 | ||
6. 5. Tercer Anuncio: En Fiesta No 01:04 | ||
7. 6. Dos Días 01:53 | ||
8. 7. Uncíon en Betania 01:28 | ||
9. 8. ¿Por qué? 03:46 | ||
10. 9. Oración Lucumí (Aria con Grillos) 02:00 | ||
11. 10. El Primer Día 01:52 | ||
12. 11./12. Judas y El Cordero Pascual 04:17 | ||
13. 13. Quisiera Yo Renegar (Aria de Judas) 02:47 | ||
14. 14. Eucaristía 03:40 | ||
15. 15. Demos Gracias al Señor 02:56 | ||
16. 16. Al Monte 01:23 | ||
17. 17. Cara a Cara 01:02 | ||
18. 18. En Getsemaní 01:36 | ||
19. 19. Agonía (Aria de Jesús) 07:28 | ||
20. 20. Arresto 02:25 | ||
21. 21. Danza Sábana Blanca 00:53 | ||
22. 22. Ante Caifás 01:34 | ||
23. 23. Soy Yo (Confesión) 02:37 | ||
24. 24. Escarnio y Negación 01:52 | ||
25. 25. Desgarro de la Túnica 00:58 | ||
26. 26. Lúa descolorida (Aria de las lágrimas de Pedro) 06:04 | ||
27. 27. Amanecer: Ante Pilato 03:04 | ||
28. 28. Silencio 01:32 | ||
29. 29. Sentencia 02:17 | ||
30. 30. Comparsa Al Gólgotha 03:17 | ||
31. 31. Danza de la Sábana Púrpura - Manto Sagrado 01:32 | ||
32. 32. Crucifixión 01:54 | ||
33. 33. Muerte 01:15 | ||
34. 34. Kaddish 09:22 | ||
35. Closing Credits / Golijov: La Pasión según San Marcos 01:39 | ||
Golijov: La Pasión Según San Marcos
Musicians
- Osvaldo Golijov(Composer)
Composers
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reviews
PHILLY.COM REVIEW
Soloists plus Schola Cantorum de Venezuela, Orquestra La Pasion, Maria Guinard and Robert Spano conducting (Deutsche Grammophon, two CDs, one DVD ****) A new recording already? The piece that made Osvaldo Golijov's reputation almost overnight roughly a decade ago has been rerecorded by most of the same forces that premiered it - but with a purpose. The first recording was made when nobody could have accessed what sort of hybrid musical animal this is. Thus, the CDs strive for a fuller sonic representation. Golijov's stylistically far-reaching work reinterprets Christ's crucifixion in ways that both draw from and rebel against the tradition of Bach's St. Matthew Passion with a surprisingly congruent combination of Hispanic ethnic influences and orchestral effects that could only be conceived in the age of electronic music. The hugely imaginative but freewheeling storytelling style is the polar opposite of linear Germanic rigor. Also in the package is a separate live performance on DVD from the 2008 Holland Festival with some of the same forces but conducted by Golijov champion Robert Spano. The performance has some shaky moments as well as great peaks of excitement - plus its share of visual quirks emanating from the performers' combination of inner passion and steel-trap concentration. Both versions are great to have if only because, while this great piece of music should be experienced widely, its dissemination may be impeded by its atypical performance requirements. - David Patrick Stearns 6/8/2010 2:55 PM (GMT-08:00)